Concert / Indie Cloth

Photo 1: On the left, a man dressed in black. On the right, a woman wearing a beige shirt. They are standing in tall grass, in the setting sun. Behind them, the sea.
Photo 2: On the left, a woman wearing a beige shirt and brown trousers. On the right, a man dressed in black. They are standing in tall grass, in a light reminiscent of the setting sun.
Photo 3: On the left, a woman wearing a beige shirt. On the right, a man dressed in black. They are standing in tall grass at nightfall. Behind them, the sea.
Photo 1: On the left, a man dressed in black. On the right, a woman wearing a beige shirt. They are standing in tall grass, in the setting sun. Behind them, the sea.
Photo 2: On the left, a woman wearing a beige shirt and brown trousers. On the right, a man dressed in black. They are standing in tall grass, in a light reminiscent of the setting sun.
© photo 1, 2 & 3: Sandra Ebert © photo 1 & 2: Sandra Ebert

Scottish twins Rachael and Paul Swinton sounded like few around them when they released their 2019 self-titled debut. Their appeal lived in tense guitar parts and Rachael’s signature close vocal. In the time since, they have worked to perfect that sound. 

Now, three records in, they embrace letting go of expectation. Their latest record, Pink Silence (2025), is unafraid to go big in the quest to make something lasting. With Owen Pallett, Adrian Utley (Portishead), and Stuart Braithwaite (Mogwai) contributing, this mission is supported by some of their musical heroes. To create this album, Cloth entered the studio to make the ten strongest songs they possibly could, and they left a stronger band.

For fans of:

Pale Blue Eyes, TTSSFU